Music

Rock Album Review: Big Thief’s Latest — Among 2022’s Best Albums

February 24, 2022
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Both experimental and welcoming, the double album proves more spontaneous in feel and expansive in style than past Big Thief outings.

Rock Album Review: This Live Album Proves that The Beths Are the Best

February 24, 2022
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It has been a long time since I last felt this passionately about a new artist as I do about The Beths.

Theater Review: “Dreaming Zenzile” — The Miriam Makeba Story

February 24, 2022
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Despite its flaws, Dreaming Zenzile reflects, with power, on the difficult relationship between art and activism.

Classical Music Album: Florence Price — “Uncovered, Vol. 2”

February 23, 2022
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This is an album that’s at once musically significant but, more than that, thoroughly enjoyable. How tragic that, largely on account of her race and gender, Florence Price’s music was almost erased.

Jazz Album Review: Pianist Billy Lester — One Very Hip Nerd

February 23, 2022
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Pianist Billy Lester is an amusingly dry fellow who is also a deeply serious, idiosyncratic musician.

Rock Concert Review: 2022’s Fear Inoculum Tour — Peak Tool

February 22, 2022
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Wading in the deep end of the Tool pool.

Jazz Album Review: Corina Bartra’s “Amber Light” — Unlistenable? Or Genius?

February 22, 2022
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Others may hear a painfully flawed Latin jazz album, but what I heard was a brilliant postmodern ironic jam session in the mode of Ornette Coleman. I’m probably wrong, but I don’t care, because this album is a blast.

Jazz Album Review: Oscar Peterson Quartet — “A Time for Love”

February 21, 2022
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Oscar Peterson always seemed at his best live, which is how we find the pianist in this beautifully recorded, newly issued set.

Jazz Appreciation: Lee Morgan — On the 50th Anniversary of His Death

February 19, 2022
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Prodigy, post-Parker junkie, dead by homicide at a young age (1938-1972). Whatever. The myth shouldn’t crowd out the player. Musically, trumpeter Lee Morgan was a muthahfucka..

Jazz Album Review: Avishai Cohen’s “Naked Truth” — Meditating on the Last Things

February 18, 2022
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To this listener, the quartet generates a drama of gradual enlightenment, as if extroversion signified some sort of illumination.

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