Jazz
In the wake of the horrors of last week, Jazz Week 2013 comes as almost an act of defiance, an insistence that life will go on in all sectors of the Boston community.
Ten Freedom Summers is a masterful, supple series of compositions that has the gravitas of a major work that also, from time to time, it swings dramatically.
Pianist Randy Weston and arranger Melba Liston will be honored in a celebratory concert at the New England Conservatory.
The wizards of mandolin and jazz piano were in perfect sync, blending styles and breaking barriers.
Pianist Donal Fox is a classical musician by training, and in style, with a yen for improvisation and, one might add, an unwillingness to let things be.
You have to appreciate a guy who expressed his concern for both the drought on the Texas plains and the local arts community’s drought in terms of cancelled jazz programming on WGBH and the closing of the BOSTON PHOENIX.
The Berklee Contemporary Symphony Orchestra sought bravely to straddle the jazz and classical worlds with a little help from some star soloists.
It turns out that it was more than just a rumor that saxophonist Charles Lloyd spent some of the ’70s playing with The Beach Boys.
Recipe for a memorable evening at MIT’s Kresge Auditorium: two of the world’s great clarinetists, an inspiring conductor, a hard-working student band, and a major new piece of the clarinet repertoire.
The members of the Collective seem to have an understanding that their job is to make music that reflects a group identity as well as their individual personalities.
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