Jazz
The trio on hEARoes is enthralling; it doesn’t sound like anything I have heard.
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I wonder why this fine session was withheld for 49 years. It might be the bitter-sounding texts, or the very fact of vocals in a jazz session.
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Sloane: A Jazz Singer is very sweet film that never cloys because of the singer’s naturalness, honesty, occasional self-deprecation, and sense of humor.
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Both of these documentaries offer gratifying viewing for any curious roots music fan.
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“Everyone involved was committed to doing something different and eclectic,” WasFest curator Don Was said. “It’s a mixed bag, and that’s what we wanted.”
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At New Hampshire’s just-christened Nashua Center for the Arts, 68-year-old jazz guitarist Pat Metheny shared a wily sidelong glance at his own broad compositional and improvisational history.
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As usual with Craft Recordings reissues, these lps are impeccably produced: the silence of the recording before the music starts is almost startling, but it’s the clear sound of what follows that is most impressive.
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Fans of Postmodern Jukebox and the swing revival will enjoy this album, as will any jazz fan who appreciates taut small-group arrangements and terse, focused solos.
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A rare Black female instrumentalist band leader, whose improvisations on the harp were the equal of any horn, Dorothy Ashby deserves a respected place in jazz historiography.
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The music of the Duke Robillard Band may go back a long way, but there was nothing retro about the bittersweet, funky, lowdown sounds that rocked Jimmy’s.
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