Jazz
According to former WGBH Jazz DJ Steve Schwartz, “In retrospect, the writing was on the wall. About a year and a half ago, our shows were cut by an hour; before that, we were told we could no longer use the names of our shows or our theme songs.”
Read MoreThere’s no such thing as a free lunch, but in Boston this summer (and throughout the year) free concerts are as easy to find as upset fans at Fenway Park.
Read MoreJuly 11 update.The New Orleans-style funeral for jazz on WGBH radio was an amazing coming-together of musicians from across the spectrum of styles. It was an occasion for mourning the loss of Steve Schwartz and the diminution of Eric Jackson, to be sure, but it was also an occasion for celebrating with more than a little wonderment the recognition that we all are, indeed, a community.
Read MoreUpdated. In or out of doors, from Inman Square to the coast of Maine, it’s a hot July in New England. Sounds of the season–or of any season–abound, including a 25th anniversary celebration for Natraj.
Read MoreUpdated. Reeling from the impending cutbacks to WGBH’s programming, the Boston jazz community is beginning to find its footing in organizing a response. First up, a jazz funeral on the 5th of July.
Read MoreA critically acclaimed player in the New York avant-garde scene, Theo Bleckmann is clearly a Kate Bush connoisseur, and his commentary on her work was as compelling as the performances
Read MoreUpdated. The year 1962, the terminus of Richard Vacca’s new history of Boston jazz, marked an end to an era. Fifty years later, with the cutbacks in jazz programming at WGBH, are we approaching a similar inflection point?
Read MoreUpdated.As many Boston listeners feared, WGBH has put its jazz programming on the road to extinction. What is to be done?
Read MoreIf you’re a Gil Evans devotee, or even a casual appreciator, have I got good news for you: Ryan Truesdell’s Centennial, more than 70 minutes of Evans that we never thought we’d hear, 10 tunes realized so beautifully and brilliantly that they should win a Grammy for Truesdell and a second, posthumous Grammy for Evans.
Read MoreWhen the musical whirlwind came to an end the crowd responded with a standing ovation, an enthusiastic testament to the power of this sweat-soaked night of edgy jazz guitar.
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