Jazz

Jazz CD Review: “Both Are True” — A Big Band Chock Full of the Unexpected

April 24, 2020
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What strikes this listener most is the writing’s disjointedly distinctive — sometimes unfathomable — sounds and textures, as well as the music’s unpredictable flow.

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Arts Commentary: The Late Annie Ross — An Appreciation

April 21, 2020
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Renowned singer and actress Annie Ross is urgently in need of financial assistance to pay for home care during this pandemic.

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Jazz Album Review: Leslie Beukelman’s “Golden Daffodil” — Creative Ambition

April 21, 2020
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Singer Leslie Beukelman has a lot going for her, including her time, the quality of her voice, her control of improvisation, and her capacity to reach deeply into a ballad.

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Arts Remembrance: Saxophonist Lee Konitz

April 19, 2020
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Lee Konitz was, with Sonny Rollins, one of the last of his great generation of jazz men still swinging hard.

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Jazz CD Reviews: Lakecia Benjamin & Dave Liebman Group — Rejuvenating the Past

April 5, 2020
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I’d have to give the edge to Dave Liebman in terms of innovative creative reach. But Lakecia Benjamin more than holds her own in how she gives re-vitalizing attention to some very important musical roots.

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Jazz Album Review: Liberty Ellman’s “Last Desert” — Going the Distance

March 23, 2020
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Last Desert proves that guitarist Liberty Ellman and his group can dance when they want

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Jazz CD Review: Kenny Barron and Dave Holland’s Delicious “Without Deception”

March 21, 2020
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Eschewing ostensible flash and musical sleight of hand, Without Deception is a treat for connoisseurs.

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Jazz Commentary: Remembrance of Jazz Venues Past

March 18, 2020
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The idea of posting this list is to remind people of what has been lost and hope that it stirs us to preserve what we have left.

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Jazz Album Review: “Lennie Tristano: The Duo Sessions” — A Unique Musical Language

March 9, 2020
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Listeners familiar with Lennie Tristano’s earlier work will find there are a few surprises on this disc.

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Book Review: “Leonard Bernstein and the Language of Jazz” — Prominent from the Start

February 25, 2020
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Perhaps the book’s most impressive accomplishment is to make a kind of systematic case for Leonard Bernstein’s larger compositional output.

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