Classical Music
With its Opera Annex productions – presenting unfamiliar operas in unconventional performance spaces – Boston Lyric Opera really seems to have found its niche.
Read MoreUnder Michael Tilson Thomas’s leadership, the San Francisco Symphony Orchestra’s sound has been refined and tightened; its repertoire has grown to embrace American music of all stripes.
Read MoreSaturday’s attendance hopefully warms the hearts of the BSO’s management. Not only was the house very full, but the assembly also included a healthy proportion of younger heads.
Read MorePianist Richard Goode provided everything that is asked of a Beethoven master: color, infinite shadings, interesting, convincing tempi, and soul.
Read MoreQuibbles about some characteristics of the new pieces aside, hats off to Richard Pittman and the New England Philharmonic for daring to present a program like this..
Read MoreIsango’s Magic Flute/ Impempe Yomlingo is lit by flashes of brilliance. Most can be traced directly to Mandisi Dyantyis’ reorchestration of Mozart’s orchestral score for an ensemble of marimbas.
Read MoreAs they often do in repertoire that doesn’t turn up too frequently, the orchestra responded to the music with heightened sensitivity and attention to detail.
Read MoreSimply put, Blue Heron is one of the best perks of concertgoing in 21st century Boston.
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Music Commentary: “I’ve neither seen nor heard it, but I don’t like it. (And neither should you.)”: “The Death of Klinghoffer” Meets the Know-Nothing Protest
What we seem to have here is one of the glories of our democracy in action: the blind leading the oblivious; aping distortions and downright falsehoods about the opera.
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