Classical Music

Concert Review: Berlin Philharmonic Orchestra at Symphony Hall

November 13, 2016
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The biggest musical takeaway was the sheer brilliance of the Berlin Philharmonic Orchestra’s playing, which is the gold standard.

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Opera Preview: “The Picture of Dorian Gray” — The Opera

November 11, 2016
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“I have always been a fan of horror movies, and I’m sure that was part of the attraction to me.”

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Concert Review: Thomas Adès conducts Britten, Sibelius, and Adès

November 7, 2016
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These BSO concerts, conducted by Thomas Adès, were the culminating event in his impressive first season.

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Concert Review: Grand Harmonie’s Gods and Mortals

November 7, 2016
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GH’s best playing of the day was edgy: a little rough around the edges, yes, but still punchy and vibrant.

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Concert Preview: Grand Harmonie’s “Gods and Mortals”

November 4, 2016
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“Playing these standard pieces on period instruments is a little bit like reading a novel or poem in its original language.”

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Concert Review: The Boston Symphony Orchestra Presents a Spooky “Bluebeard’s Castle”

November 1, 2016
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Like most of the innocent heroines in horror movies, Bluebeard’s wife is unaware of the old adage of curiosity killing the cat.

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Concert Review: The BSO Presents an Evening of Benevolent Kindred Spirits

October 27, 2016
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After all these many decades I am still deeply moved by Yo-Yo Ma’s playing, which combines irresistible charisma and generosity of spirit.

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CD Reviews: Tchaikovsky’s Symphony no. 1 and Mozart Violin Concertos plus Wagner Overtures & Preludes

October 26, 2016
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For recorded sound, for brilliance of orchestral execution, and for interpretive concept, Janowski is one of the 21st century’s best Wagnerians.

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Concert Review: Boston Philharmonic plays Auerbach, Rachmaninoff, and Tchaikovsky

October 24, 2016
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Conductor Benjamin Zander and his band were at their collective best performing Tchaikovsky’s Symphony no. 6.

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Concert Review: Conductor Jakub Hrůša Makes an Energetic Debut with the Boston Symphony Orchestra

October 17, 2016
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This was a fascinating program conducted by someone that the BSO will hopefully put (firmly) into their rotation of distinguished guest conductors.

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