Classical Music

Concert Review: Los Angeles Philharmonic at Symphony Hall

April 26, 2018
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New Yorker critic Alex Ross has called the LAPO the best orchestra in the country and that appellation seems about right.

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Concert Review: Evgeny Kissin and the Emerson String Quartet — Brilliant

April 26, 2018
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The thought of the Kissin/Emerson collaboration was very intriguing, and I anticipated amazing music making.

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Concert Review: A Healing Space — A Far Cry and the Miró Quartet Present “Loss and Resurrection”

April 16, 2018
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This is a sound I’ve never heard before at a chamber concert: over twenty musicians breathing in unison.

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Opera Review: “The Rosenbergs” — A Morally Complicated Tale, Well Told

April 15, 2018
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The Rosenbergs is small in scope but large in ambition; it is an accomplished and moving opera that demands attention.

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Concert Review: Handel & Haydn Society Plays Purcell’s “The Fairy Queen”

April 9, 2018
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A thoroughly charismatic Fairy Queen from start to finish, well-prepared, fulgently delivered, and received by a packed house with well-earned warmth.

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Classical CD Reviews: Alexander Melnikov’s Four Pianos and Leonard Bernstein’s Mass

March 29, 2018
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Pianist Alexander Melnikov has come up with one of the still-young year’s most compelling discs, Deutsche Grammophon releases an aural train wreck.

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Classical CD Review: Vänskä’s Mahler Six, Harding’s Mahler Nine, Louise Farrenc Symphonies, Handel & Haydn Society plays Haydn and Mozart

March 28, 2018
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Two Mahler symphonies, one sluggish the other intense, while symphonies composed by Louise Farrenc, Mozart, and Haydn are done right.

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Classical CD Reviews: Lars Vogt plays Beethoven, James Ehnes plays Walton, Denis Kozhukhin plays Ravel & Gershwin, Francesca Dego plays Paganini & Wolf-Ferrari

March 26, 2018
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Superb discs from pianist Lars Vogt, violinist Francesca Dego, pianist Denis Kozhukhin, and violinist James Ehnes on the viola.

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Classical Music Commentary: Boston Symphony Orchestra’s 2018-19 Season Announcement

March 22, 2018
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The BSO seems to have taken to heart complaints about its lack of programming diversity, devoting two full programs to underrepresented groups.

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Opera Review: BLO’s “Threepenny Opera” — Neither Fish Nor Fowl

March 22, 2018
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It would have been wonderful to have seen either a faithful version of Threepenny Opera in German or a boldly conceived contemporary version.

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