Classical Music
Aspects of America, from the Oregon Symphony and its music director Carlos Kalmar, is at once superbly played, astutely programmed, and aesthetically necessary.
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Jonathan Nott does right by Ligeti and Herbert Blomstedt does the same for Mozart. You didn’t know that Evgeny Kissin, the piano virtuoso, was also a composer? Join the club.
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A triumphant disc from A Far Cry, some fresh thinking from Giuseppe Sinopoli and the Israel Philharmonic, and Thomas Hampson, a great purveyor of American song, focuses on Chicago.
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Overall, this was classy cello playing. Colin Carr relied on, and brought out, the inherent architecture of the Bach suites.
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Four new albums: the standouts include the finest Andris Nelsons/BSO Shostakovich collaboration to date and the Neave Trio’s wonderful new French Moments.
Read More Colin Carr supplied an extraordinary performance of Bach’s Six Cello Suites.
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Conductor Aapo Häkkinen explores Robert Schumann’s writing for chorus;Andrew Manze caps off his three-volume Mendelssohn symphony survey with a glorious performance of the oddball Symphony no. 2.
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Strong discs from Edward Gardner and the BBC Symphony Orchestra, Francois-Xavier Roth and his Paris-based period-instrument ensemble Les Siècles, and the National Orchestral Institute Philharmonic, an ad-hoc summer orchestra comprised of some of the U.S.’s finest conservatory musicians.
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Garth Edwin Sunderland’s new chamber adaptation of this opera’s score, is, to date, the Bernstein Centennial Year’s best and most important recording.
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You know a Cowboy Junkies tune the second that you hear it, but the songs don’t come off as formulaic or produced for mass consumption.
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Arts Commentary: Rich in Creativity — But Nothing Else