Classical Music

Opera Review: “Dido and Aeneas” — A Memorable Evening of Purcell

April 1, 2019
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Handel and Haydn Society assembled both a must-hear program and an extraordinary cast of singers.

Arts Commentary: The Boston Symphony’s 2019-20 Season Announcement

April 1, 2019
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The fact is, the BSO’s 2019-20 season doesn’t risk enough and lacks a true spirit of adventure.

Classical Music Review: San Francisco Symphony at Symphony Hall

March 27, 2019
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While the orchestra’s program was almost defiantly canonical, it was played with such lightness and energy that you could forgive its disappointing safeness.

Classical Concert Review: Boston Musica Viva plays Hoffer, Smith, and Greene

March 14, 2019
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Richard Pittman led the core players of BMV in a confident, evocative reading of the music.

Opera Review: Boston Lyric Opera’s “The Rape of Lucretia” — Bravi Tutti

March 14, 2019
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The Boston Lyric Opera is mounting a fabulous staging of Benjamin Britten’s visceral opera.

Jazz Appreciation and Preview: James Carter — Life Begins at Fifty

March 13, 2019
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Whom can we thank at the Boston Symphony Orchestra for choosing James Carter to be the featured saxophone soloist in March 23’s concert at Symphony Hall?

Opera CD Review: Wagner’s “Die Meistersinger,” Sung in Italian, Beautifully, with Conversational Ease

March 12, 2019
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A 1962 concert performance from Radio Italiana, now on CD, shows how delightful Wagner can sound without barking and slow wobbles.

Classical Concert Review: Thomas Adès conducts Liszt, Adès, and Tchaikovsky

March 8, 2019
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The BSO recently announced an extension to artistic partner Thomas Adès’s contract. It is lucky to have him. So are the rest of us.

Classical Music Preview: “Help the Children” Concert — An Eclectic Vocal Program

March 7, 2019
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“It’s not a concert about despair,” observes Joel Cohen, “there’s a lot of festive music in it.”

Classical CD Reviews: Colin Davis’s “Berlioz Odyssey,” “Bernard Haitink: Portrait,” and “The Age of Revolutions”

March 1, 2019
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Anniversaries are both the bane and the lifeblood of the classical music industry as, for better or worse, three new box sets remind.

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