Classical Music
Prince of Players is based on a play that also yielded the movie Stage Beauty, and it’s one of the best new operas to come along in years.
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Whither Must I Wander, the debut recording from baritone Will Liverman and pianist Jonathan King, is one of 2020’s finest classical releases; 12 ensemble provides a kinetically-played example of a large-ensemble arrangement of chamber music.
Read MoreOpera CD Review: Gunther Schuller’s Splendid 1970 Children’s Opera Gets Its World-Premiere Recording
A Grimm, but not grim, opera about a Fisherman, his Wife, their Cat, and a wish-granting Flounder.
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“We are in a time that challenges each of us running arts organizations to revisit and reaffirm our institution’s core existential purpose: why are we here? What do we do, and why does it matter?”
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If ever there was a season the BSO needed to put its right foot forward — balancing the core repertory with some strong steps outside of it — this is the one.
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The two best things about Simon Rattle’s new recording of Die Walküre are, well, Rattle, himself, and the Bavarian Radio Symphony Orchestra; a strongly played and majestically sung performance of Felix Mendelssohn’s unfairly neglected Die erste Walpurgisnacht.
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More proof that Offenbach’s is a remarkable body of work; a serviceable, but not particularly notable, Cavalleria rusticana; another installment in the Rossini Project, brilliantly curated, stirringly played and sung, and beautifully recorded.
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A terrific release showcases the Boston Symphony Orchestra and composer Thomas Adès. Michael Tilson Thomas and the San Francisco Symphony deliver a radiantly honest recording of Aaron Copland’s Symphony 3.
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Many of the qualities that mark Penderecki’s best work – exquisite technique, an innate feel for rhythmic athleticism, an ear for dazzling colors and theatrical gestures, an impeccable sense of musical structure, and the affinity for emotional immediacy – are also hallmarks of Rouse’s.
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Performing Arts Series: Stories of Surviving COVID-19 — Boston Baroque
“At Boston Baroque, as we look to the future, we take comfort in knowing that redefining ourselves is in our organization’s DNA.”
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