Classical Music
Taken together, it’s a bracing, provocative, and – perhaps above all – fun survey of music for the stage from, for England, the conspicuously abundant 20th century.
I would like to think that there are more composers working today who think of themselves as beyond category.
Radius Ensemble’s final performance of the season touched on examples of musical fantasy, worldly angst, and spiritual transcendence.
Time to look at the maverick mavericks, composers with feet firmly planted on either side of the dividing line between jazz and classical.
What makes pianist Jean-Yves Thibaudet an ideal interpreter of Ravel’s Concerto in G is his understanding of and appreciation for jazz.
Had they not had interesting and flourishing careers already in place, Elizabeth Schumann and Gloria Chien could give many full-time piano duos a run for their money.
Joseph Calleja’s voice is absolutely gorgeous, and he has been compared to the great Golden Age tenors Gigli and Caruso.
The tradition of hybrids is there, for anyone who chooses to use it. Our modern media world makes that tradition accessible in hitherto unimaginable ways.
There was new music, of which Nelsons’s an uncommonly gifted interpreter; old music that mostly sounded lively; and a big, loud, late-Romantic warhorse that let him and the BSO show off.
Classical Music Commentary: On Andris Nelsons’ First Season in Boston and a Look Ahead at 2015-16
By the end of Andris Nelsons’s inaugural season he had the BSO playing with lots of energy and like they really care, night in and out.
Read More about Classical Music Commentary: On Andris Nelsons’ First Season in Boston and a Look Ahead at 2015-16