Music
Puscifer is alarmed that so many values, including bedrock rights, are under attack, with real people getting hurt (in some cases killed) in the process.
The members of Dave Douglas’ quartet members are alertly sensitive to each other and unfailingly intelligent in their choices, which makes them fun to hear.
The Folk Alliance International Conference is a business conference. But because the business is folk music, the event has become nothing less than a cultural celebration.
Two debut big band albums, one traditional and one progressive, are blowing in hot in the dead of winter.
If there’s anything the U.S. needs in 2026, it’s a recovery of Lincolnesque values—resolve, common sense, understanding, and charity. If such a renewal can get some impetus and sense of direction from a new recording, so much the better.
It’s hard to argue that the decision to forge careers as composer-pianists in the teeth of fin de siècle misogyny and rock-set views of musical gender roles wasn’t an act of defiance.
Shame’s latest record and Monday’s holiday show at the Brighton Music Hall both prove the twin-guitar quintet has matured in sound and spirit while still flashing youthful spunk.
Reflecting on our divisive politics, BSO music director Andris Nelsons told the concert audience that “Every tunnel has light at the end.”
“Art can be heartbreaking, but you don’t have to let it break your heart for it to be good. You just have to have the correct relationship with it, understanding that it is a continual exercise.”
“Turn a Midnight Corner” is one of those records that has the right mix of risk and guile. It doesn’t so much tell a story as summon one, track by track.
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