Interview
What has made for a successful life in the theater? Living by the values Vincent Murphy imbibed as a member of Boston Children’s Theatre in the ’60s: “cooperation, creativity, listening, and play.”
“America hasn’t lost its historical and romantic legacy for British bands. At least that’s the case with us, anyway.”
Pianist Marcus Roberts is aware of the artistic community’s criticism of AI, but maintains an attitude of optimism tempered by realism.
Brooklyn indie rock act The Hold Steady will be at Suffolk Downs this weekend. The band’s frontman, Craig Finn, is a Boston native.
“For this season, I did not want us to do a ‘greatest hits.’ I did not want to limp away. This is our last full and robust season, but not our last time producing plays.”
“The music I really respond to is by artists who have in some way captured a moment in an evocative way, a universal truth, something that feels honest and real. That’s what we try to do.”
It’s difficult to say if Steve Forbert sounds youthful now or if he has long since fully grown into his always expressive and distinctive voice. Or both.
Allen Lowe is a saxophonist, composer, and historian of early jazz and roots music who doesn’t think he’s getting a fair shake from jazz’s gatekeepers.
Our conversation touched—considerably, as it turned out—on the current political climate and the dispiriting response of the musical world to the rising tide of homegrown authoritarianism.
Along with the legendary Peter Rowan, other multi-generational participants in this leg of the Sam Grisman Project tour are well versed in the bluegrass songbook.
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