Interview
“For this season, I did not want us to do a ‘greatest hits.’ I did not want to limp away. This is our last full and robust season, but not our last time producing plays.”
“The music I really respond to is by artists who have in some way captured a moment in an evocative way, a universal truth, something that feels honest and real. That’s what we try to do.”
It’s difficult to say if Steve Forbert sounds youthful now or if he has long since fully grown into his always expressive and distinctive voice. Or both.
Allen Lowe is a saxophonist, composer, and historian of early jazz and roots music who doesn’t think he’s getting a fair shake from jazz’s gatekeepers.
Our conversation touched—considerably, as it turned out—on the current political climate and the dispiriting response of the musical world to the rising tide of homegrown authoritarianism.
Along with the legendary Peter Rowan, other multi-generational participants in this leg of the Sam Grisman Project tour are well versed in the bluegrass songbook.
Suzanne Vega’s collection of 10 new original songs further solidifies and builds on her reputation as a unique talent among her generation of singer-songwriters.
“The MFA is a place that really matters to a lot of people, and it is the safety of this place that matters and its commitment to excellence. These are things that must never be compromised.”
The performance at Groton Hill Music Center will “be a journey through Brazil. They will hear some classics, some great Brazilian love songs, and hear stories about the songs. I will dedicate some of the show to the bossa nova.”
“You make it a goal — one day performing on a big stage, such as Boston Calling. To see it come to fruition is a dream, it’s awesome.”
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