Film
“V66 is a piece of broadcast history that a lot of people don’t know about. I’m proud to be the person to tell its story.”
“The Monkey” is a delightful exercise in black humor.
Two heartfelt documentaries about the Hamas attack and hostage-taking have premiered at this year’s Berlinale and have been received respectfully, even welcomed.
The 2025 Oscar nominated documentary shorts indict the justice system.
It is a shame that international film festivals cannot be made accessible to wider audiences, but the trend toward online gatherings, such as the Online French Film Festival, is a good start.
“Captain America: Brave New World,” which is loaded with potential for drama and commentary, has less weight and punch than a butterfly’s fart.
Yes, “Bridget Jones: Mad About the Boy” is a cheesy, predictable rom-com. But it doesn’t try to be anything that it’s not.
Films can transform the way that their subjects are seen, sometimes by just making a subject visible. That was the case with three films which were among the best that I saw at Sundance this year.
A pair of documentaries challenge the fantasies in the Boston Sci-Fi Film Festival
A trio of documentaries: one explores an under-recognized Black musician, while the other two focus on a leftist Israeli comedian and crusading teen journalists.
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