Film
The new bio-doc about producer-musician Brian Eno looks at the artist’s life and his creative process in a deliberately provocative new format.
Like all accomplished directors – and architects – Brady Corbet has orchestrated a team of outstanding collaborators into shaping his vision.
In their latest divinely idiosyncratic romp, Wallace & Gromit take on the threat of that most impersonal and worrisome technology: AI.
This is a chilling tale of the (last) Cold War, and footage of Teslas and iPhones serves as a potent reminder that the struggle for global natural resources, in the Third World and beyond, continues.
“Pepe” is an immense achievement: one of the most formally and politically radical narrative films to turn up on the international festival circuit in 2024.
“The Damned” is a perfect little ice-cold January horror gem blending historical, psychological, and folk chills into a bleak midwinter’s tale to keep you up through the longest nights of the year.
“Nickel Boys” is an unsettling, yet gorgeous, cinematic adaptation of Colson Whitehead’s Pulitzer prize-winning novel.
“All We Imagine As Light” is an absorbing celebration of female friendship.
“Babygirl” comes off as a rather lascivious take-down of yet another older woman who has everything she wants except … sexual excitement.
It seems every year the quality of feature films, especially those from mainstream studios, is getting worse, while that of documentaries is getting better.
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