Film

Film Commentary: “The Hobbit” in Print and in Film — A Quick Guide on How to Put the “Faux” in Folklore

May 28, 2013
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Director Peter Jackson in his film adaptation of The Hobbit abandons the intimate scale of the original wonder tale and mistakenly blows it up into mythic proportions.

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Film Review: “What Maisie Knew” — Henry James’ Dark Screwball Comedy

May 27, 2013
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The astute filmmakers, Scott McGehee and David Siegel, seem not at all intimidated by Henry James’s formidable prose.

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Film News: “Star Trek” —The Borg Have Won

May 26, 2013
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If Plato had known of mind meld, you can be sure he would have applied to be a Vulcan.

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Film Review: “Frances Ha” — An Indie Classic That Celebrates Resilience

May 24, 2013
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Like some of the best New Wave films of the ’60s, “Frances Ha” brims with the giddy optimism of youth.

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Fuse News Film Review: “Something in the Air” — Radicalism Redux

May 12, 2013
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Assayas’s splendid autobiographical feature is about a young man who refuses to turn his back on the radicalism of the ’60s

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Music Review: The Boston Pops does “Fantasia”

May 11, 2013
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In the end, the technological snafu probably did more than the musical selections themselves to prove that listening to symphonic music ‘live’ is not a stuffy affair.

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Fuse News Film Appreciation: Farewell, Master Animator — The Divine Legacy of Ray Harryhausen

May 8, 2013
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With the passing of animator Ray Harryhausen, we would do well to remember when wonder was more … wondrous.

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Film Review: Bert Stern — Original Madman

May 5, 2013
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What about Bert Stern, the artist? He deserves credit for bringing fashion photography into the modernist moment in the late 1950s and early 1960s.

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Film Review: Ingenious But Cold — “In the House”

May 3, 2013
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A fantastic film? Not really. “In the House” is sometimes ingenious, but all the main characters are cold, arrogant, and off-putting.

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Coming Attractions in Film: May 2013 — Updated

May 1, 2013
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May is in full bloom. Starting just this week there is the LGBT Festival, screenings of three silent classics with live accompaniment, the beginning of the Harvard New American Black Cinema Series, and two Boston Jewish Film Festival encores.

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