Film

Fuse Movie Review: Boston’s MFA Presents a Film Festival of Colorful Song and Dance

May 20, 2014
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Boston’s MFA should be congratulated for screening these Technicolor musicals in way that does wondrous justice to their eye-popping colors.

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Movie Review: “Million Dollar Arm” — A Pleasing Baseball Movie Where Fact and Fable Meet

May 17, 2014
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Given its its male-weepy genre, the “inspirational sports movie based on a true story,” Million Dollar Arm is surprisingly enjoyable.

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Film Review: A Deliciously Prepared “Chef”

May 16, 2014
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In Chef, the preparation of delicious food becomes a metaphor for a quest for meaningful life and love.

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Film Review: “The Double” — Solid, Knot-in-the-stomach, Dostoyevskian Fun.

May 16, 2014
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The movie intelligently reimagines the Dostoyevsky novella while retaining the emotional turmoil at its core. It’s a brilliantly executed pitch-black comedy.

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Film Review: “Locke” — Hell on Wheels

May 15, 2014
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All that WASP self-reliance and fortitude, and I, the Jew, am thinking, “Isn’t anyone getting hungry? Doesn’t anyone want to use the potty?”

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Film Review: “Growing Cities” — Searching for America’s Urban Farmland

May 13, 2014
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Although “Growing Cities” plays a bit like a home movie, it at least scores points for enthusiasm.

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Film/Visual Arts Commentary: A Great Backstory — But are Vivian Maier’s Photos All That Good?

May 12, 2014
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A captivating story, indeed. But is Vivian Maier, suddenly famous, and the subject of a new film, the John Maloof-directed Finding Vivian Maier, a worthy artist?

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Film Review: “The Lunchbox” — One of the Year’s Best Films

May 12, 2014
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The Lunchbox is that rare film experience that stays with you, makes you think about its multi-layered, subtle performances and storyline, and forces you to see it again.

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Film Review: “Fading Gigolo” — Kind of Funny, Kind of Touching

May 2, 2014
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“Fading Gigolo” isn’t about fulfillment, sexual or otherwise — it’s about the transitions in the lives of its characters.

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Film Reviews: Flesh and Fantasy in the Art House

April 26, 2014
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Two new films take a poetic and fantastical look at the artifice of sensual surfaces to imagine the horrific realities beneath.

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