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With its fabulous ’50s costumes and visceral wrestling scenes, “Queen of the Ring” is a blast from the past.
Staffed with billionaires including Elon Musk, the richest man in the world, and Trump himself, a reputed billionaire, the present administration is made up of the country’s lords — and we are their serfs.
In Berlin, the closest thing to a consensus on “Kontinental ’25” was that the film didn’t measure up to Romanian director Radu Jude’s customary standards. My view is that the critics didn’t look hard enough.
Our expert critics supply a guide to film, visual art, theater, author readings, and music. More offerings will be added as they come in.
A provocative commentary on our need to recognize our our common humanity, the film is, at its heart, a painfully cautionary tale.
Two essential documentaries look at the legacies of Leni Riefenstahl and Elie Wiesel.
The sprawling cast — 30-plus players — under Michael Arden’s direction performs with verve; they deliver outstanding performances and have excellent singing chops.
Wes Montgomery and Joe Pass are master jazz guitarists who sound nothing alike.
Anybody at Tuesday’s show who thought the members of Kraftwerk were just punching buttons at their static posts while audiovisuals surged automatically would be mistaken.
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