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While luminary thespians and film stars such as Brian Dennehy and Christopher Plummer have trod the Stratford Festival boards, let me sing the praises of two actresses: Martha Henry and Michelle Giroux.
AM, the Sheffield band’s fifth album and their heaviest and danciest to date, isn’t for pre-gaming, or the start of the party. It’s for the wee hours, when the fog is thickest and you should really know better but just can’t help yourself.
UPDATE: “Secundaria” will screen this Friday as part of BU’s Cinematheque series on Friday, September 13, 7 p.m. Boston University,
Reviews of the latest music from Dean Blunt, Aaron Dilloway, Ulver, Perhaps, Wormlust, and Syndrome.
The Conservatory’s Contemporary Improvisation program is one of the best things we have in New England music, and if you’ve lived for any length of time in the Boston area without attending one of its concerts, you’ve missed an important experience.
Why does John Merrick get a room in the London Hospital for the rest of his life? Because he’s charming and he’s witty, while the pinheads next door to him didn’t fare that well.
Dramatist Jeffrey Hatcher didn’t become a working adaptor until the mid-1990s. He saw that some of his playwright friends were doing it and he thought: “Why not me?”
Leon Fleisher was part of an outburst of great North American pianists. Many were ill-fated, but, as this commanding box set proves, Fleisher stayed the course.
The pleasure of Talley’s Folly is in its details, the give-and-take of the dialogue, the smaller and larger revelations they tease out of each other, the characterization of the two human creatures dancing their dance.
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