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“The Haunted Life” is little more than an example of the staggering amount of work it takes for a writer to find his voice, a testament to the years of toil Kerouac put in before forging a style all his own.
Arts Fuse critics select the best in music, film, theater, and dance that’s coming up this week.
The five compositions and one de facto suite played at the NEC Winds and Winds Ensemble performance spoke with six different voices and carried six different messages.
Given all the terror and brutality we have lived through just in the thirteen years of this new, 21st century, the story of people running drugs back in the ’70s doesn’t seem to have much urgency.
In his book, Ira Stoll argues that John F. Kennedy was, “by the standards of both his time and our own, a conservative.”
The point of the Spring Quartet, one assumes, is to showcase its four multi-talented members, particularly their talents as composers.
All the prancing about onstage with planks of wood, actors climbing into eight-foot large puppet skeletons, is marvelous to behold, but it makes for an uneven, confusing production.
Classical Music Commentary: Boston Symphony Orchestra Season 2014-15 — A Jolt of Energy and Stability
Most of the programs during BSO conductor Andris Nelsons’ ten subscription weeks look fresh and, if not outright adventurous, on paper they at least look more exciting than not.
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