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The hope is that general readers and scholars will realize a more rounded comprehension of Jack Kerouac.
Today’s Broadway is at its best presenting blockbuster spectacles like Wolf Hall and An American in Paris.
“We’ve let too many valuable creative people leave for Brooklyn, Austin, and Portland. We need to do something about that.”
Roger Grenier wears his considerable learning lightly. His writing is a graceful dance of the intellect.
Tragedy isn’t when evil triumphs, but when good becomes entangled in its own inevitable contradictions.
There was new music, of which Nelsons’s an uncommonly gifted interpreter; old music that mostly sounded lively; and a big, loud, late-Romantic warhorse that let him and the BSO show off.
What I’ve learned from three years of research and listening is that the piano concerto is an ideal vehicle with which individual composers can experiment
RUBBERBANDance shares some elements of the new-circus genre: a set of very specialized and spectacular physical skills, and the idea that although circusy movement can bombard the audience with thrills, it can also imply human relationships.
In an architectural sense, the Edward M. Kennedy Institute is too quiet a visual statement.
Fuse Music Commentary Series: Jazz and the Piano Concerto — A Real Tradition, but of What?
The tradition of hybrids is there, for anyone who chooses to use it. Our modern media world makes that tradition accessible in hitherto unimaginable ways.
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