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The story’s surprising degree of feeling for Joaquin Phoenix ‘s Joe saves “Eddington” from simply serving as fodder for overheated social media discourse and crusading op-eds.
A particular guttural sequence of phrases from accordionist Ted Reichman suggested a musical cadence, and I felt myself respond with the jazz fan’s involuntary noise of appreciation: “Unh!”
This week’s poem: Michael Gottlieb’s “Unaccounted Multitudes”
A trio of worthwhile docs at this year’s Tribeca Film Festival tour a city, stroll beneath the surface of the world, and stride through an inspirational life.
“The Slip” raises issues of race and entitlement, as well as the malleability of identity, all in one big, sloppy, and occasionally gorgeous package.
“Superman” is overstuffed and bloated — so much so that it’s impossible to get an emotional toehold in the story being told.
Composer Michael Daugherty’s lovely survey of 20th-century touchstones continues; violinist Philippe Quint plays a lineup made up (mostly) of commissions.
Poet Adrienne Rich’s journey serves as a model for meeting the challenge posed for artists and the rest of us today, confronted with the rise of authoritarian forces in America.
For fans of guitar music, two excellent new documentaries offer plenty of insight into impressive musical accomplishments as well as some memorable playing.
The Annual Francis Davis Jazz Critics Poll at Mid-Year — Listomania! Confessions of a Bad Voter
So what am I saying? That the system is imperfect, corrupted by bad voters like me (there must be a few others who didn’t listen to even close to everything on this list — show of hands?)
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