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The English horn, of course, is no stranger to haunting melodies.
The Coen brothers, Joel and Ethan, provide an on-target parody in Hail, Caesar!, their funny period comedy set in ’50s Hollywood.
The Finest Hours gives the audience two hours of fast moving, visually pleasing, easily digestible entertainment.
Soul journeyman Lee Fields and the Expressions explore new territory.
Clear some room on the mantle of cinematic disgrace for The Choice, an utterly drippy romance.
Milk Like Sugar cries out for dialogue and confrontations that direct us deeper into the conflicts the young women face.
The Lady in the Van is quite enjoyable, but has a significant flaw.
Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
The Convert is a complex historical drama that shows us individuals crushed among powerful contradictions.
Classical Music Commentary: Boston’s Lost Opportunity — How the BSO Board Chose Charles Munch over Leonard Bernstein