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In this interview Dave Davies discusses his solo show and gives us the latest on the ongoing Kinks intrigues.
Read MoreComplex and nuanced, Breathe thankfully owes little to our current assembly line of teen angst flicks.
Read MoreWesley Savick not only does a fine job of adapting Alan Lightman’s text, but in his role as director he squares the circle.
Read MoreThe BSO had a well-deserved couple of weeks off following their late-summer tour of Europe, and they took some time to regain their sea-legs.
Read MoreTram 83 mirrors the most sordid and chaotic features of contemporary African cities, in which non-Africans also remain intimately and often deviously involved.
Read MoreAlthough there is a strangely dour tinge to this biography of Peggy Guggenheim, Francine Prose is ultimately fair.
Read MoreThe premise of the show, and especially the catalogue, is to put Corita Kent her rightful place in the pantheon of major American Pop artists
Read Moreit’s useful to be reminded that Ronald Reagan, the revered All-American icon, was more simulacrum than savior.
Read MoreASP director Bridgette Kathleen O’Leary chooses a nuanced approach to Othello that hews closely to the text.
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Rethinking the Repertoire #1: Camille Saint-Saëns’ Symphony in E-flat, op. 2
We begin our survey with one of my favorite musical discoveries of the last three years: Camille Saint-Saëns’ Symphony in E-flat, op. 2.
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