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There’s nothing quite like a Chandler Travis Philharmonic show.
Ghosts seems to be trying to be all things to all listeners — edgy, nostalgic, farcical, adventuresome.
You may have read similar earlier works, but Dominic Smith’s novel is in a class of its own.
A Bigger Splash has a pleasing richness wherein the sensual elements bind the individual characters to each other, and to nature.
Director Paul Daigneault and SpeakEasy Stage have a hit on their hands
High-Rise‘s urban apocalypse is laid on thick. One wishes for a modern existence that is not quite so alienating.
RoosevElvis turns out to a sort of slaphappy homage to two American legends, a genial romp that sticks to stereotypes.
The director approaches his Star Wars interviewees with obvious glee, but he’s also on a quest.
A rare opportunity to see — on the big screen — a film starring Boston-born silent comedian Raymond Griffith, a master of the debonair pratfall.
Design and Visual Arts: Affordable Housing, By Design