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Four nerdy young men from small-town suburban New Jersey named their band after a prophetic product of Aldous Huxley’s imagination.
I was never bored during Sully‘s brisk 90 minutes.
“Would I love to do these big operas in Symphony Hall? Yes. When I feel like I’ve got two-thousand people to attend, I’ll move over to Symphony Hall.”
Bread & Puppet Theater’s world of anthropomorphized trees and talking toilets is often funny, sometimes beautiful, and always memorable.
By the end, Autumn Stage comes off as a pint-sized No Exit.
There is little doubt in my mind that this powerful production of Blasted will be one of the high points in Boston theater this year.
An absorbing and disturbing novel that explores the dangerous turns that erotomania can take.
There’s a lot of love in the Lyric Stage Company’s production of Stephen Sondheim’s 1970 Tony Award winning show, Company.
The Other Side comes off as a reserved, rather poignant glimpse into the lives of people who have very little to hope for.
Prima Donna is a rare thing: a conceptual EP that works.
Design and Visual Arts: Affordable Housing, By Design