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Stage Feature: TW Festival’s David Kaplan on Beyond Success — Eugene O’Neill and Tennessee Williams

September 17, 2016
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Once Eugene O’Neill and Tennessee Williams achieved success, they wanted to take on themes in their plays that challenged audiences.

Film Commentary: The Somerville Theatre’s 70 mm Festival — When the Movies Were Really Big

September 16, 2016
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These cinematic eyefuls will rouse you from the ennui you’re feeling these days, brought on by too many binge sessions watching Netflix.

Film Review: “In Order of Disappearance” — No Country for Cold Men

September 16, 2016
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This taut, often hilarious, thriller is a stellar example of why Scandinavian cinema continues to impress.

Book Review: “The Girl with the Lower Back Tattoo” — A Mundane Stream of Consciousness

September 16, 2016
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Amy Schumer’s quasi-memoir is composed of stuff that would be better off posted on Facebook.

Film Commentary: This Year’s Venice International Film Festival — From a Judge’s Perch

September 16, 2016
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Who can complain of ten days on the Lido, by the Adriatic Sea?

Film Review: “Demon” — A Beautifully Creepy Dybbuk Yarn

September 15, 2016
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Demon is a powerful movie that, once seen, can’t be easily shaken off.

Theater Review: “Cry Havoc” — The Bard on War, and the Pity of War

September 15, 2016
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Cry Havoc’s message: We expend energy in preparing young men and women for war, but no effort in re-engaging them into the life of not-war.

Music Commentary/Preview: 2016 Fall Orchestral Season Overview

September 14, 2016
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In the six years I’ve now been reviewing for the Fuse, I can honestly say that the 2016-17 season looks to be one of the liveliest in recent memory.

Fuse Theater Review: “Eight by Tenn” — Tennessee Williams’ Miraculous Miniatures

September 13, 2016
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Eight by Tenn offers eight stories whose psychological depths and linguistic riches rival those of most full-length plays.

Film Review: “Eight Days a Week” — A Marvelous Look at The Beatles on Tour

September 12, 2016
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Unlike any other Beatles documentary, this one succeeds in presenting the hysteria of the few years when the band played live and toured the world.

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