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Visual Arts Review: Otto Piene’s Artistic Legacy — x 2

January 28, 2015
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Otto Piene’s art is at once appealing, accessible, and yet somehow unworldly: joyful mystery yoked to dynamic playfulness.

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Book Review: Benito Pérez Galdós’s “Tristana” — Liberation, Though Off-Kilter

January 27, 2015
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Tristana is Ibsen’s Doll’s House played as a gaunt farce, a vision of feminism as icy egotism rather than individual liberation.

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Film Review: “American Sniper” — Keep Telling Yourself … It’s Only a Movie

January 27, 2015
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American Sniper is classic Clint Eastwood. Dirty Harry vs the bad guys, and the bad guys all look like ‘them.’

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Fuse Book Review: The Subdued Yearning of “Guys Like Me” — The Sad-Droll Prose of Dominique Fabre

January 26, 2015
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Very little happens in Dominique Fabre’s books, yet one keeps on reading. because he so genuinely depicts the ordinary lives that most of us lead.

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Film Review: “Inherent Vice” — Like an Acid Trip, Secondhand

January 25, 2015
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Inherent Vice is a giddy, trippy potpourri that tries to make a virtue of never quite settling on what kind of story it wants to tell.

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Dance Review: Smile and Sneer — Mark Morris at the ICA

January 24, 2015
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Now 58, the noted choreographer’s succinct gestural language, coincident use of music and musical ideas, and spatial elasticity is now completely second nature.

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Book Review: Drama Queen — The Theatrical Nature of Elizabethan England

January 24, 2015
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To his credit, Garry Wills does not attempt to tell us what Shakespeare or his contemporaries “really meant,” nor does he suggest that there are ways that these plays ought be staged.

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Concert Review: Cellist Johannes Moser joins the BSO Out on the High Seas

January 24, 2015
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Johannes Moser is a cellist I have admired for some years.

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Jazz Concert Review: Laszlo Gardony Quartet — Always Swinging

January 23, 2015
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Made up of Boston-based musicians, the Laszlo Gardony Quartet is one of the city’s under-recognized treasures.

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Fuse Film Review: “Selma” — Civil Rights By the Numbers

January 22, 2015
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Selma doesn’t dare to offer the viewer anything new.

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