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For the diehards who crowded the Sinclair, the Church aren’t about hit singles and nostalgia; they’re about double-guitar dreamscapes and psychedelic visions.
Read MoreIf James Madison was so verbose that his draft version of the First Amendment could be cut in half, then he can hardly be called an artist with words.
Read MoreWritten and directed by feature film newcomer Matais Lucchesi, Natural Sciences is a cautionary tale: be careful what you wish for.
Read MoreIn Available Light , Lucinda Childs’ dancers execute a series of movement phrases which to a viewer may seem simple, but in fact require intense focus and control on the dancers’ part.
Read MoreThe BSO’s captivating performances of King Roger received unanimous rave reviews from the local press, to which I add mine.
Read MoreLike James Baldwin, Alain Mabanckou is striving to see beyond comforting or righteous notions and grasp a world full of movement, migration, diversity, and unexpected mixtures.
Read MoreDirector Cristián Jiménez treats the melodramatic proceedings with an ironic sense of humor that manages to keep the maudlin at bay.
Read MoreAnyone interested in understanding Europe in the 20th century, or in the fascinating metropolis that is Berlin, or in a riveting depiction of down-and-out youth who refuse to surrender to the system–will want to pick up Blood Brothers.
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Music Commentary Series: Jazz and the Piano Concerto — The Great God George
There are still some places where the genius of George Gershwin is underappreciated, and regrettably, they include most of the concert halls in his home country.
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