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Singer Sara Serpa refracts, bends, suspends, and shifts sounds and syllables, creating a kind of linguistic limbo.
Schimmelpfennig’s Winter Solstice is an important play by a major playwright.
The deeply personal nature of the music’s narrative drew some extraordinary music from Liszt’s pen.
In this exhibition, I wanted to focus on the screen as a threshold between realms and to ask questions around its materiality, its power.
This weekend’s concert fires on all cylinders. Don’t miss it.
There’s not much about the blues that Paul Rishell, 68, and Annie Raines, 48, don’t know or can’t play.
There was an easy depth to the music, if such is possible, as if the musicians were digging in hard, but with the relaxed assurance that comes of a shared vision.
Benjamin Zander, who’s led some distinctly fine concerts in recent years, drew the best out of his band.
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