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Despite its occasional confusions, this is poetry I will return to — to re-experience A.E. Stallings’ wit, wisdom, and word-smithing.
The Window contains an inspired pairing — between singer Cécile McLorin Salvant and pianist-organist Sullivan Fortner.
K.K. Downing does not trash Judas Priest or its legacy, but he gives, from his perspective, an honest and believable assessment of the group and his role in it.
Disco is back in town! DJ Joey Carvello returns to Boston and the compilation Boston Goes Disco! is released.
Tyshawn Sorey flies far from his innovative masters. I hardly expected that the result would be so mesmerizing and alive.
Eleanor Burgess’ The Niceties is an articulate, if structurally crabbed, expression of #blacklivesmatter anger as well as a millennial rebel yell.
The show’s attempt at satire comes off as blunt and lecture-heavy at times, but the production still manages to be an engaging comedy of manners.
This slender memoir reads like a rambling conversation with a literary stranger you meet on a train.
How will PC New Englanders react to seeing nutria gunned down by hunters, and some bashed on their heads to make sure they are dead?
Visual Arts Commentary: Three Temporary Public Art Pieces — A Dialogue with Art and Ourselves
Three bold new public art installations underscore the possibilities of visual and conceptual experiences in 21st century Boston.
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