Featured
It is heart-warming that, in these “worst of times,” playwrights like Carey Crim are working quietly to give us a look at new beginnings with humor and tenderness and hope.
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There are no missteps on this disc. Buster Williams and company make all the complications swing, mightily.
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Being able to comfortably shift gears between “high” and “low” culture is one of the easiest ways in which a contemporary critic can gain the reader’s trust.
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So who knows where the time goes? Sadly, it only goes in one direction. But the past can be gracefully revived.
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L. M. Brown has also written poetry, and she brings some of that lyrical know-how to her promising first novel.
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A quartet of standout movies, the best of the just ended Provincetown Film Festival.
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The privilege Edith Wharton’s characters swim in has not disappeared. If anything, it’s expanded farther into the social stratosphere.
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Pepperland serves up the expected tie-dye nostalgia, keyed to a half-dozen Beatle tunes from the classic album.
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At this time in the Boston jazz scene, there are no ongoing spaces for big bands and, predictably, the number of such ensembles has shrunk.
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Visual Arts Commentary: Now + There — Reinterpreting Public Art in the Civic Environment
An organization dedicated to making Boston a vibrant, contemporary art city.
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