Featured
The genius of this film is that no preaching is necessary; it makes its political point in an apolitical way, an art film that is, incidentally, didactic.
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The Black Clown commands the vastness of the Loeb’s stage with an enviable energy.
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Does Shakespeare need a digital makeover to stay relevant and entertaining?
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Choreographer Paul Taylor leaves a repertory that sprawled from the outrageous to the sublime.
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With this album, Luciana Souza has created her own indelible “book” of songs that ache and celebrate, muse and regret, dream and mourn.
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Summer Cannibals’ main virtue is its keen transmission of psychological warfare in families.
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This fascinating documentary should be compelling to guitarists and to jazz fans in general.
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Newvelle Records’ taste seems to be flawless.
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Reading is treated as a commodity, namedropping literary titles as a way for middlebrow film audiences to feel proud of themselves for being in the know.
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Too many cultural critics look at our past through a fuzzy filter of sentiment. Chapo Trap House tackles America’s past and present idiocies head-on in a refreshingly honest way.
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Arts Feature: Best Movies (With Some Disappointments) of 2025