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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Qualms aside, Slow Food is an enjoyable show that taps into the uncertainties of middle-aged parents who must confront a strange, new life without the kids.
These films will no doubt raise your spirits in the dead of winter.
Errol Morris allows Stephen Bannon to indulge in his vision of how he will save America, with Donald Trump as his agent and himself as the genius manipulating events.
I thought I’d never seen such a thrilling example of how dance and music can combine and feed each other.
I strongly advise you to explore the wizardry of Manual Cinema — its potential is considerable.
The Oregon Shakespeare Festival production of Othello lacks a tragic dimension not because it highlights Othello’s “Otherness,” but because it eschews any vestige of grandeur or nobility.
2018 saw the release of four ambitious and powerful jazz releases driven by poetic texts.
Mary Oliver’s poetic vision reaches back to the American transcendentalists: it encourages us, by demanding that we pay attention to our now threatened natural world, to find a moral compass.
Classical Music Commentary: Poetic Narratives in the Concert Hall, and a New Recording of Dvořák’s “The Spectre’s Bride”
A reflection on the whole tradition of combining longish narrative poems to music, especially for performance in a concert hall by large forces (e.g., singers and orchestra).
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