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Whom can we thank at the Boston Symphony Orchestra for choosing James Carter to be the featured saxophone soloist in March 23’s concert at Symphony Hall?
Music Director Martin Pearlman had the excellent idea to cut out 6 of the 24 arias to make Jephtha move along, and it paid off.
The Bird King is an utterly lovely reading experience.
William Forsythe asks dancers to go beyond their mastery of technique — in order to have the music move audiences to a higher level of emotional involvement.
The Flesh Eaters have returned with renewed vitality, after it hit some troughs and sputtered to a near stop.
This inspiring show celebrates the 100th anniversary of the founding of The Bauhaus.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
The disc is manna for lovers of assertive electric guitar, played by one of today’s top practitioners, in an unadorned trio setting.
Overall, Juliana Hatfield’s Weird is closer to good than to great.
Climax may be the director’s most fully realized attempt so far to suggest a state of madness onscreen.
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