Featured
These extraordinary books from world-class writers are about reviving, through words, a now-derelict town and the lives of its ten thousand murdered Jews.
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Next summer promises to be a safe one, musically, at Tanglewood.
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William Goldman was known as a consummate Hollywood insider who nevertheless maintained a reputation as a literary-minded purveyor of exceptional cinema.
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Peter Brook has decided to be more than a little stubbornly anti-theatrical in The Prisoner.
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Christopher Hollyday’s Telepathy is a keeper, Chris Pasin’s Ornettiquette is an excellent outing, Jake Ehrenreich’s A Treasury of Jewish Christmas Songs is uneven, and for some long winter nights Abigail Rockwell’s Autumn Noir might be just the ticket.
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John Heginbotham may be making modern dance but he gives us the gift of classicism: discovery within form.
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The more we hear Jane Fonda’s homilies about needing to be “whole” and “self-actualize” the more her personal journey sounds more like a succession of carefully calculated branding exercises.
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Yes, the first-ever recording of a opera that is as wonderful as Berlioz and Wagner said it is.
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Lonnie Holley’s music on MITH sounds like a choir of better angels whose multi-layered voice is hard on the outside and soft on the inside, like so much Alabama clay.
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“I like implication very much; there’s a fiction of implication that I think I’ve championed over the fiction of explication.”
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Arts Feature: Best Movies (With Some Disappointments) of 2025