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Film Review: “Beanpole” — Hardship Rendered in Searing Color

March 1, 2020
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Beanpole is infused with a profoundly tender intimacy, interspersed with stark portrayals of pain, cruelty, and sacrifice.

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Visual Arts Review: “Landmarks” at Williams College Museum of Art — Losing Your Way

March 1, 2020
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The Ruskinian mantra of “truth to nature” was eventually upended by the development of digital imagery and the agile manipulations of Photoshop.

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Visual Arts Remembrance: Farewell to a Light Artist — John Powell

March 1, 2020
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It seems quite fitting for an artist of light to leave a gallery show filled with his distinctive multimedia light art. Memories of John Powell, like his art, will continue to glow, brightly.

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Visual Arts Review: “Lucian Freud Self-Portraits” — Pictures of a Cool Narcissist

February 29, 2020
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I recommend this show for Lucian Freud’s highly polished craftsmanship, but his wry game of psychological hide-and-seek is not all that satisfying.

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Television Review: “McMillion$” — Big Mac and the Big Con

February 28, 2020
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HBO’s McMillions is a fun and light documentary, but it doesn’t deliver more than the momentary satisfactions of fast food.

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Food Commentary: The Chicken Sandwich Wars — Political Food Fight Revisited

February 28, 2020
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I confess that I was one of those schmucks who tried (and failed) to stay vigilant in my high-minded refusal to eat at Chick-fil-A.

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Folk Music Review: Dan Reeder — Weighing Consequences and Accepting Defeat… “Just Feels Sorta Natural”

February 28, 2020
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Uplifting tunes for the aspiring curmudgeon you didn’t know you’d already become

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Film Interview: Talking to Autumn de Wilde and Anya Taylor-Joy about “Emma.”

February 28, 2020
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A comical version of Jane Austen is coming our way via Autumn de Wilde’s Emma.

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Concert Review: Vinicius Cantuária at Scullers

February 27, 2020
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Vinicius Cantuária and band offered a night of close-listening interaction between musicians with ears wide open.

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Theater Review: “Nina Simone: Four Women” — Theater of Social Concern

February 27, 2020
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There’s much to admire and appreciate about this MRT production; but the play’s lack of a solid dramatic spine is a crippling problem.

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