Featured
You will come away impressed by Patricia Lockwood’s skillful literary play — enjoy an escape from your own Internet miasma, and then be affected by a powerful contrast to it.
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Two brilliant Israeli pianists have released exceptional musical offerings.
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Unlike other pretentious and/or earnest travel shows, Men in Kilts is downright jolly.
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Despite its potential for black comedy or moral sermonizing, 4×4 remains a gripping suspenser.
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Can we correct some of the mistakes we’ve made and engineer our way out of a deadly climate crisis of our own making?
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We’re desperate for some frothy good spirits, so welcome Barb & Star’s turquoise ‘n’ hot pink assault, forgive it for being mildly funny more often than wildly funny, and enjoy its modest pleasures.
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Over 75 segments from the Berlin Wall have found their way to the U.S., providing the subject for The American Sector, an amusing, quirky, and meditative road-trip/scavenger hunt.
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There’s much to admire in the color, character, and urgency of the Minnesotans’ playing and the overall strong direction from conductor Osmo Vänskä.
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“Individual stories are the single most important component of any collective, and your story matters more than you can know.”
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The Dig is suffused with a very English (and problematic) sense of history: why it matters, how it can be taken for granted, and the odd way that certain elements of the past are valorized while others are kept buried.
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Book Review: “Unfinished” Argues for AI as an Artistic Partner — But at What Cost?