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The strength of Roundabout of Death lies in its credibility, and in a specificity that defies detail.
A pair of documentaries about the most popular guitar-driven instrumental bands of all time.
“Why read Zola now? Leaving aside sheer enjoyment of his narrative art, I’d say: because his representation of society’s impact on the individuals within it memorably depicts what it means to be a human being in the modern world.”
Published in August of 2020, Oxford University Press’s English translation of Doctor Pascal marked the first time that Émile Zola’s 20-book Les Rougon-Macquart series was available in print under one publisher.
It is sad Monster is such a botched effort, given that this is an important and timely story.
You’re never quite sure what you’re watching but you can feel yourself going down the creepypasta rabbit-hole with protagonist Casey nonetheless.
There’s a powerful sense of place built into Last Night in Rozzie: the direction and acting evoke the feeling that inevitably comes when we return to our childhood neighborhood.
“Then, as now, my focus was on the songs. As long as you can keep your focus on the art that you’re doing, the larger thing it can serve – selling records or whatever – that’ll happen on its own.”
Prickly and polemical tunes are surrounded by some of the most enjoyable music Van Morrison has made in years.
The documentary strikes a remarkably rich vein, covering not only music, fashion and a late-1970s social critique, but also matters of race, class, gender, mental health and spirituality.
Theater Commentary: Theater for Young Audiences — What Role Can It Play In Saving Our Democracy?