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Here is an outstanding recording from the Escher String Quartet of music by two stylistically divergent 20th-century American composers, Samuel Barber and Charles Ives.
You would never suspect from this big ol’ rock ’n’ roll show that The Black Crowes was essentially toast just a few years ago.
Blue Bayou’s story deserves to be told and heard. But rather than focus slowly and intently on its central crisis, the script kneads in a dizzying array of additional threads and sidelines.
The bizarre half hour animated comedy is a hilarious love letter to The Windy City.
Whether we call this slim volume poetic prose or prose poetry, a novella or a collection of verse, seems beside the point. It is haunting, hypnotic, and moving.
After having diagnosed the ails of modernity, screamed out his most deeply held traumas, and shrugged off his role in the biggest band ever, John Lennon is content to have a riverside cuddle under a tree in the sun with the woman he loves. Amen.
A judicious mix of jazz classics, standards, and Corea compositions, Live is a blast.
Amid the political point-scoring, Netflix’s Sex Education remains effervescently charming.
The performance shows generally high competence and comfort, no surprise given that the work is a longtime staple in Croatia: indeed, it is the single most-performed opera in the entire repertory of the Croatian National Theater.
Jazz Appreciation: Remembering George Wein (1925-2021)
The sum total of George Wein’s career was a successful wedding of art and commerce.
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