Featured
The irony is that this effort, surely not the last, of Hollywood reaching out to the “solid” citizens of Trump’s America will only alienate them further.
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Two previously unreleased archival recordings take us on trips into the past well worth taking.
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August Enna’s colorful and vividly melodramatic score does justice to the robust exoticism of H. Rider Haggard’s novel.
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Stuck in a world where regular shopping was rare and live performances extinct, the right path seemed to be the curls and swirls of mentions and references that led to surprising new or little-known artists and fascinating new levels of famous ones.
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On first impression, John Williams’ second violin concerto didn’t strike me as an instant classic, but there’s more than a little here to warrant repeated listening.
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Translator Dan Veach invites us to “pull up a bench in the mead hall, grab a brew, and enjoy a jazzy new performance.”
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As the age of COVID-19 wanes, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
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This re-release features 72 minutes of unreleased music. Nearly every track on the two-hour set pushes the 20-minute range, with results more exhilarating than exhausting.
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This disc from the London-based Kaleidoscope Chamber Collective pairs piano quintets by Amy Beach and Florence Price with Samuel Barber’s haunting “Dover Beach.”
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Theater Commentary: Healers, Cool Your Heels
Throughout history, theater has been a place where the community has looked honestly at what is killing it.
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