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A three-dimensional portrait of one of the most powerful and eloquent leaders of the civil rights movement in Mississippi.
Here are some wonderful offerings to get you through the gloomy months ahead, including under-sung and under-seen horror baubles that you may have missed.
One of pianist Edward Simon’s strengths is his ability to be simultaneously romantic and clear-headed, precise and suggestive.
Ruth Lepson’s poetry, at its most successful, creates the evocative and stimulating effect of a koan.
Ludwig Hohl belongs in the line of such lucidly contentious thinkers as Karl Kraus, Pascal, and Lichtenberg, commentators whose writing oscillates between the traditions of literature and philosophy.
The range of Kurt Elling’s repertoire is astonishing and his program at Jimmy’s was commensurately ambitious.
This anthology, for all its occasional sadness, is optimistic about the future of immigration to America.
The selection of foreign films on offer at the BFI London Film Festival was of a very high quality.
Jane Ira Bloom responded to her pandemic isolation with a CD of duets with bassist Mark Helias and a CD of duets with drummer Allison Miller. These two sessions are unique projects in her discography and beautiful testaments to her ingenuity.
No woman, I’m willing to bet, could have filmed the sex scenes in Red Rocket. She would have cracked up laughing or thrown up.
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