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This Afrofuturist cyberpunk musical is a sprawling political manifesto poetically transcribed into a visual symphony of music and images.
The script is credited to five writers and, well, too many cooks spoil the bouillon.
Solid Sound is like a family picnic for stylistically open-minded musicians and fans alike within the brick-mill infrastructure of MASS MoCA.
So what if the American empire is doing more and more poorly? All that matters is hopping in alongside Tom Cruise for a super-duper roller-coaster ride inside an F-18.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Host Elizabeth Howard talks to Mark Goldsmith about his book Madison Avenue to Rikers Island. He is the founder and CEO emeritus of Getting Out and Staying Out, a nonprofit that provides educational, vocational, job readiness, counseling, and other services to young men who have been incarcerated.
Hellbender is not just a fabulous indie film about witches, it’s also an original coming-of-age horror movie.
Legendary percussionist Bill Bruford’s recorded output reveals him to be a restless innovator who went from one band to another so he could learn more about his instrument and about himself as a musician.
Crescent gives us the first five songs of the I Am The Moon suite and runs about 35 minutes. Let me rephrase that: it runs about 35 perfect minutes of music.
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