Featured
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Play or Die brilliantly showcases what Miles Davis heard in Tony Williams’ playing: variety of sound within a restricted framework.
Moissey Vainberg’s opera powerfully evokes the brutality of Hitler’s extermination camps and the moral ambiguity of postwar Germany.
Actress and MS advocate Selma Blair’s memoir is not just another celebrity tell-all, filled with smarmy self-congratulation.
When did we last see a novel of such stimulating complexity that’s so downright hopeful too?
Puscifer pulled off a great show of rock ’n’ roll farce, and that is saying something considering that the daily news feels ever more like scripted buffoonery.
The Sadness is an especially brutal film about societal collapse and how public health crises like COVID-19 amplify whatever savage impulses lie dormant within us.
This year marks the 150th anniversary of the birth of the Black American poet Paul Laurence Dunbar, and this new biography does a thorough and compelling job in telling the story of a remarkable and partially tragic life.
Northlands lacks the infrastructure, diversity, and history of some of New England’s finest music fests, but its two-day debut provided a rustic oasis for jambands.
Dance Commentary: Contract Dispute Between Union Artists and Alvin Ailey American Dance Theater — ‘Buked and Scorned?
The Ailey dancers’ demands around salaries and the length of their contracts reflect the resurgent strength of organized labor in the cultural sector.
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