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Thankfully, there is no melodramatic black-and-white in James Kallembach’s fascinating 36-minute work, first performed at Boston University by the Lorelei Ensemble in 2017.
“Episode III. The Fall” is the most thematically focused installment in the four-part I Am the Moon saga so far.
The novel’s plot revolves around the many secrets simmering beneath the surface of the lives of the characters, and Bill Littlefield slowly teases them out to connect the disparate voices.
Once it gets its bearings, Mr. Fullerton, Between the Sheets, tosses and turns its way through the throes of hidden romance, miscommunication, reconciliation and, eventually, heartbreak.
Four! is one of Hampton Hawes’ most satisfying sessions, for the variety of the repertoire and the quality of the performances.
Our cup runneth over with tears — at this point, breakup albums may have overstayed their welcome.
A.B. Yehoshua was anything but a provincial Israeli writer. He was literary giant whose imaginative gift was so striking and diverse that you never knew what he would do next.
In her superb true crime documentaries, Skye Borgman probes America’s war against its women and children.
Percussionist Tryshawn Sorey has released a trio disc of standards that may very well be on my 2022 Best of the Year list and a pair of “new” releases featuring the legendary pianist Bill Evans.
A Remembrance of Theater Artist Paul Dervis: Embracing The Incomprehensible
Personal salutes to theater director, playwright, and critic Paul Dervis, who died at the age of 67 on June 13.
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