Featured
Conveying the value of hope and resilience are undoubtedly important, but positing social and civic responsibility is also essential, and “Annie” clearly offers that opportunity.
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The destruction and displacement of people today so recall the past that Thomas de Hartmann’s music resounds with fierce, resonant force.
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“I love to dance. I love music. My life is in the flow” — Seán Curran
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This tragic, absorbing, and moving quasi-novel is best characterized as a “tour de force”.
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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
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Three independent films got a bounce out of the New York Film Festival and could be coming to you soon.
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If ever there was a musical act and a venue perfectly suited to each other, it would have to be the Wailin’ Jennys, the harmony-laden Canadian folk trio, and the Groton Hill Music Center.
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“Baby Driver” is a book in the tradition of American road literature, but it moves at a distinctly different pace.
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Varone and dancers made skillful use of some of the most luxurious movement vocabulary available in contemporary dance
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Arts Remembrance: In Memoriam — Tom Stoppard