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Sundance Film Festival Review: “Beyond Utopia” — Escape (for Some) from North Korea 

February 3, 2023
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Beyond Utopia is a grim reminder that, against growing odds, people keep leaving North Korea, or try to. It may be a while before another family agrees to film the journey out.

Theater Review: “Made in China 2.0” — The Art of Taking Risks

February 3, 2023
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Made in China 2.0 is valuable as an act of theatrical witnessing, the voice of a rebel who is facing considerable challenges from the powers that be.

Classical Concert Review: The Harlem Quartet at the Shalin Liu Performance Center

February 2, 2023
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Hey, any string quartet that has performed and recorded with Chick Corea (in the album “Hot House”) is ok by me.

Book Review: “The Constitution in Jeopardy” Wrong Diagnosis and Solution

February 2, 2023
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This is the Catch-22 of American constitutional politics. We the people are free to propose any structural reform we want except that they’ll all suffer the same fate: strangulation at the hands of petty politicians in Washington or the state capitals.

Television Review: “The Legend of Vox Machina” — A Sign of Things to Come

February 1, 2023
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The first three episodes of the second season of The Legend of Vox Machina exceeded expectations.

Rock Remembrance: Tom Verlaine

January 31, 2023
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Tom Verlaine will be most remembered for Marquee Moon, both the album and title track, which alone would be enough to seal any legacy.

Sundance Film Festival 2023 Dispatch #2: Retreating

January 31, 2023
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My second crop of Sundance screenings features three films that are all about women who, on some level, retreat from certain aspects of their lives: their pasts, their trauma, their public persona.

Sundance Film Festival Review: “Kim’s Video” — Lost and Found?

January 30, 2023
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Kim’s Video is quixotic in a nutty way — in an old Indie style — that is more refreshing than it is nostalgic.

Music Perspective: The Context of Wadada Leo Smith’s 12 String Quartets

January 30, 2023
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Wadada Leo Smith is among the most prolific composers of string quartets in the modern era, the only Black composer to have written so many, and one of the most adventurous writers of quartets in terms of his notation system and the distinctiveness of his musical language.

Jazz Album Review: Pianist Kenny Barron — Cherish “The Source”

January 30, 2023
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The last time Kenny Barron recorded solo was in 1981. That, besides the quality of the music, is a reason to treasure this album.

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