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Saxophonist Gregory Groover Jr, was not initially drawn to spirituals. In fact, as a young person, he found them frightening.
This provocative installation is at the deCordova Sculpture Park & Museum is a “dystopian meditation on the lives of marginalized groups, debt, the challenges of home ownership and living in a climate-stressed world today.”
What sets “Cold Nights of Childhood “wonderfully apart from today’s autofiction genre is the narrator’s absolute lack of self-pity. There is no blame-game, and no lugubrious victimhood.
Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
“I Saw the TV Glow” is nothing short of astonishing, a defining moment in queer cinema in the making and proof positive that Jane Schoenbrun is one of our generation’s most needed filmmakers.
The relationship between the two leads keeps Nowhere Special grounded in what is the film’s moving core — a high-stakes love story between a father and a son.
Veteran British director Ken Loach turns over a new leaf in “The Old Oak”.
“Challengers” is an exploration of eroticism in the broadest sense: the eroticism of competition, the sensuality of sport, and the messiness of human relationships.
Clea Simon’s latest mystery, “Bad Boy Beat,” features the memorable heroine Em Kelton, a tough Boston journalist who can mix with the hard-boiled reporters and hard-living cops on her beat — none of whom want to realize that she happens to be a brilliant detective.
Yes, Munch and Kirchner were into angst; but they were also artists of great energy, talent, and daring, who found new ways of working and did much to shape the direction and force of modern art.
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