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At The Boston Palestine Film Festival: a recognition of what remains and a restoration of what is lost.
Three fine documentaries at the NYFF: two delved into political matters, the third looked around New York City in 1965.
Samuel Adler, now 96 and still composing, has released an updated version of his rich, entertaining, and sometimes gripping memoir of a life well lived.
Cédric Kahn’s conventional but fiery true-life courtroom drama hones in on French racism and anti-semitism.
This week’s poem: Clay Ventre’s “On the Shores of the Mediterranean”
Oh He Dead’s new album carries a unified punch as it interweaves meditations on dark subjects: mortality, polarization, and how life isn’t always sunshine and rainbows.
The ascendancy of digital life is acknowledged as unshakable, but in these essays Sven Birkerts offers useful insights into how serious writers can carry on.
“Hard to Watch” lays out a pragmatic path — directions for how to preserve your time and attention — that will help just about anybody engage with any kind of art thoughtfully and purposefully.
The recording proves to be both an excellent example of Andrew Hill’s unusual creative methods, particularly the wonderful results he managed to get with ensembles.
Arts Commentary: Internet Archive Under Attack — Cultural History Under Threat
The Internet Archive’s struggles highlight the challenges faced by nonprofit organizations operating in a digital world dominated by commercial and geopolitical interests.
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