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In her insightful commentaries and art, Hana Miletić demonstrates how labor and materiality reflect subtexts of power, ranging from the “soft” to the “hard.”
The Lyric Stage Company’s production of David Henry Hwang’s Obie award-winning play is serviceably absorbing.
Film historian Peter Cowie’s writing is always intelligent, if somewhat dry, and normally correct in its evaluations of Ingmar Bergman’s films.
This week’s poem: Anthony Robinson’s “A Short History of Belles-Lettres”
Despite its undeniable fun, Christopher Durang’s play feels somewhat quaint a decade or so since it was written.
Director Takashi Miike’s latest is a killjoy of a film: it doesn’t want to have fun with its material, but it’s impossible to take it seriously.
The excellent ensemble of Huntington Theatre Company actors, fittingly, work well as a team.
The enthusiastic spirit of “Lost Soulz” is appealing enough to make what feels like two different types of movies sutured together dramatically satisfying.
Over the last 15 years, HarborArts has effectively used public art to raise public awareness, stimulating dialogue about environmental concerns — the climate crisis and degradation of the sea.
Book Review: “Freeman’s Challenge” — Essential Reading on Prisons, Slavery, and Profit
The prison was the first in the nation specifically designed to generate a profit for everybody but the laborers.
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