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A renowned 18th-century master struts his stuff, helped by a skillful young Italian tenor, in an opera first performed in Russia.
This Netflix series is a wittier, sassier, Spanish version of “Bridgerton”.
Planet’s holdings include nearly 20,000 film prints, as well as ephemera such as posters, scripts, and film magazines.
Mogwai’s explosive sound has inspired numerous bands around the world, including in the Boston area.
In this conversation, Elizabeth Howard engages with Tyler Wetherall, focusing on how she connects with the literary community in New York City through her newsletter, “Reading the City.”
Some of “The Prison Industry”‘s most devastating material appears in the section of the book exposing the lack of acceptable health care in jails and prisons.
Stripped of trip-hop trappings, Beth Gibbons’s fragile voice commanded through a ghostly filter effect as she sang with edgy emotion, peaking in the tagline, “How can it feel this wrong?”
Reluctant to explain the meaning of her art, Leonora Carrington chose to let the magic and mystery of her inner life reveal itself through the imaginary animal/human creatures and fantastic landscapes of her paintings.
Despite — or maybe because of — all the global turmoil, an awful lot of compelling music was heard at Big Ears.
Despite all the Boston Lyric Opera pageantry and talent, “Carousel”‘s trip to the 21st century turns out to be bumpy.
Film Music Commentary: Why “The Odyssey” Should Have Been a Silent Film